By James Rankin, Anna Ullrich
Animation Presets, a sophisticated Clone software, scripting help, and a strong new colour correction procedure are only a number of the purposes you are chomping on the bit to get all the way down to paintings with After results 6.5. In those pages, a grasp of the medium lets you just do that, featuring a chain of initiatives that discover each point of Adobe's animation and results powerhouse. by way of targeting the parts that may be difficult for pro clients - no matter if simply because they current thorny concerns or simply because they draw on thoroughly new positive aspects - this quantity presents the targeted, sensible guide you want to maximize your After results productiveness. each one lesson presents need-to-know counsel, confirmed ideas, and most sensible practices for various After results 6.5 features: from uploading and coping with photos to viewing and modifying layers, animating variety, and extra. The significant other CD contains QuickTime tutorial videos, resource code, and records for all the book's tasks.
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6. Go to time 2;00, and add the Style_Logo composition above the other two layers in the Timeline. 7. Insert a 0% Opacity keyframe. 62 63 8. Go to time 2;10, and change the Opacity to 100%. Beginning to build the yellow section [View full size image] Save and preview your work. Fun with Vector Paint As you did in Chapter 1 ("Spinning Squares"), you'll animate the text's layer style in the Photoshop file to create more visual interest. This time you'll use the Vector Paint effect instead of the Radial Wipe effect used in the Chapter 1 project: 1.
The Purple Body takes exactly as long to fade out as the End Tag takes to fades in: 1. Go to time 13;15, add the End Tag comp to the Timeline, and add a 0% Opacity keyframe to the layer. 2. Add a 100% Opacity keyframe to the Purple Body layer. 3. Go to time 13;25, and change the Purple Body layer's Opacity to 0%. 34 35 4. Change the End Tag layer's Opacity to 100%. Adding the yellow End Tag section to the final comp [View full size image] Save and preview your work. Tip If you wish to cut down on render time, close the Timeline before rendering so After Effects doesn't have to display what it's rendering.
4. Add the following keyframes for the BG Square 1 layer: Orientation: 0, 0, 270 X Rotation: 2 x +180 42 43 5. Add the following keyframes for the BG Square 2 layer: Orientation: 0, 0, 270 Y Rotation: 1 x +180 Adding the Rotation and Position keyframes [View full size image] Save your work, and then preview the animation. The orange solids fill the entire Comp window and then rotate away from the viewer and stop spinning. Creating the backdrop in multiple colors Naturally, you need this fabulous backdrop in different colors for each sequence.